红姑被(bèi )老(🎤)大派去(🎎)阻(zǔ )止(📡)一桩海(✉)洲(zhō(🧠)u )盐运判尤拔(bá )世与盐枭万(wàn )有户之间的(de )秘密(😳)交易，红(🌌)姑提前(😬)在(zài )交(🌐)易地(👁)点的(de )茶(🔊)楼设下埋伏(fú )。两人交易(yì )时，红(hóng )姑正(🥉)(zhèng )听到(🙂)关(guān )键(🕸)的地方(🚸)，不知(🌚)从(🌿)何处(🔊)(chù )突然飞来一(yī )个馒头，惊(jīng )动了盐枭(🏜)万(wàn )有(👼)户，红姑(🛫)(gū )也因(🦆)此而(🛥)暴(📀)(bào )露(🐘)，一番打(dǎ )斗不可避免。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
The continuing adventures of Henry, Jessie, Violet, and Benny as they spend the summer on their grandfather's private island.@艾米(mǐ )电影网
米(🛬)希(xī )尔(🏛)与兄(xiō(🛤)ng )弟弗兰(🌐)克经(🥎)(jīng )营着一家小(xiǎo )型建筑公司(sī )。当米歇尔(ěr )遇(🛐)见蜜雪(🚸)儿(ér )的(🚭)时候就(🎍)对(duì(🎺) )他(🚒)一见(🚃)钟情(qíng )了。美雪儿(ér )是一位房产(chǎn )经纪(💽)人并且(🌂)手(shǒu )里(🏾)攥着一(🚒)项(xià(🏠)ng )大(🎖)项目(⬇)(mù )。为了吸引(yǐn )蜜雪儿的注(zhù )意力，米歇(xiē )尔先(🐃)要解决(🎾)(jué )和弗(⭐)兰克的(🈲)(de )关系(📷)，因为(wéi )弗兰克的计(jì )划开始威胁(xié )他浪漫的(🙎)设(shè )计(🆚)。
一个年(👣)轻女孩(🎆)爱上(🥙)了(le )一个比(bǐ )他大(dà )八岁的(de )男人。
狂犬(quǎn )―それ(💹)は時(shí(🌚) )代を生(😶)きた一(♍)匹の(🐎)男(🦒)の物(📮)語。生涯(yá )負けなしのステゴロの帝王(🖲)・鰐淵(🕴)(yuān )市蔵(🎅)が日本(🧡)最大(👦)組(⚽)織・(⛔)大(dà )和組に戦争(zhēng )を仕掛(guà )ける!!
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.
Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young. Jim's relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son's life at risk, he must make a choice between his past and a second chance at life.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
