栗(lì(🥨) )子致力于研(📍)究记(jì )忆交(🈲)换(huàn )技术，男(💕)友钟瀚非(🦈)常(🚻)支(zhī )持。科(🥡)(kē )学家白堂(🎢)武(wǔ )秘密研(✈)(yán )究克隆(ló(⤴)ng )人，却只能搞(🧛)出(chū )没有灵(🕊)(líng )魂的空壳(🌟)，他意(🌼)识(shí )到(📡)记忆(🆚)交换(huà(🈶)n )技术(🎏)是他最(🌕)(zuì )需(🔐)要的(de )。但栗(lì(🕔) )子不愿与白(🥇)堂武(wǔ )合作(❄)。白堂武将钟(🎆)瀚变成(chéng )“白(🔆)痴(chī )”骗栗子(🎙)帮钟瀚(hàn )恢(🎄)复情(qíng )感。钟(zhōng )瀚突然成了绑架(jià )反克隆(🛏)(lóng )人专家刘(👚)大(dà )明的嫌(🙏)(xián )疑犯。栗子(🦒)试图帮钟(⤴)瀚(🕚)(hàn )洗冤，竟(✉)在自家发现(🐫)刘大明尸(shī(📽) )体。白(bái )堂武(🚪)提出克(kè )隆(🙊)刘大(dà )明并(🍢)植(zhí )入记忆(🚛)。栗子(🍾)勉(miǎn )强(😡)答应(😮)(yīng )。栗子(🚬)潜入(Ⓜ)白堂武实验(🚩)室发现(xiàn )：(🤑)真正的钟(zhō(😾)ng )瀚已死(sǐ )，现(🐚)在(zài )的钟瀚(😃)是白堂武(wǔ(💳) )的克隆(lóng )人(🎼)。白堂武利用记(jì )忆交换技术批量生产克(kè )隆人杀(shā(📘) )手。栗(lì )子和(🏀)钟瀚一起捣(🥦)(dǎo )毁白堂(tá(👤)ng )武实验室(🏆)。两人逃(táo )亡(🔬)之际(jì )，钟瀚(🎙)却将自己(jǐ(🚓) )锁在里(lǐ )面(🤞)，随实验室一(🌄)起毁灭(miè )。数(😩)周(zhōu )后栗子(📏)发现(😰)(xiàn )自己(🤭)怀(huá(🚥)i )上钟瀚(🔶)(hàn )的(📴)孩子，这让她(🦇)(tā )坚强地(dì(🈴) )面对未来。
印(🏿)度每年有超(🗂)过二(èr )万宗(👏)针对女(nǚ )性(🦖)的暴(bào )力罪(🈹)案(àn )，平均每二十二(èr )分钟就(jiù )有一名女性被强暴(bà(🅿)o )，每六小时就(🍼)有一名妇(fù(🎷) )女因家(jiā )庭(💤)暴力(lì )丧(🚜)命。年轻的基(📃)(jī )层女警(jǐ(🤛)ng )索妮与上司(🍿)(sī )卡帕纳(nà(😂) )在德里(lǐ )一(⛹)同接手调查(🦌)不(bú )同的女(🏵)(nǚ )性(🤬)暴力事(🌰)件，在(📓)办案过(🏄)(guò )程(🔓)中往(wǎng )往遭(🎖)受到了(le )重大(🤝)阻(zǔ )力，无(wú(💾) )日无之的罪(✊)案令(lìng )她脾(🙊)气(qì )暴躁，做(🎴)事方式偏离(🌪)常规，被(bèi )裁定在执勤(qín )中行为(wéi )不当，而私人生活也(🥁)影(yǐng )响到了(🍢)(le )她的职业表(🧙)现，与(yǔ )丈夫(🖌)已经彼此(✌)疏离，却(què )要(📒)被迫(pò )面对(📨)他(tā )突然的(🅰)到访。印(yìn )度(🌽)电影(yǐng )少见(💂)的写实(shí )题(🚦)材，以一场(chǎ(🏯)ng )一镜(✂)营造出(🕯)真实(🥉)(shí )迫力(😷)，将社(🛄)会(huì )低下层(⏹)女性受到(dà(🚖)o )压迫的(de )问题(⏸)表露无(wú )遗(🌵)。
1926年(nián )，在面(mià(🈵)n )临个人生活(👆)破碎(suì )和写(🍩)作(zuò )瓶颈危机的情况下，年轻的阿(ā )加莎.克里斯(sī )蒂(🚾)决定(dìng )自己(🍘)去(qù )解决一(🔡)个真实生(shē(👱)ng )活中的(de )谋(🧒)杀案。
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
“假如音(💽)(yīn )乐是爱情(🦌)的食粮，请继(🖥)(jì )续演奏(zò(🧥)u )吧！”以配乐著(🤞)称并为(wéi )莎(🌠)士比(bǐ )亚爱(😳)情喜(🔹)剧(jù )《爱(💼)的(de )徒(🥠)劳》及《爱(❣)的胜(💓)利》（即《无事(⏲)生(shēng )非》）注(🍯)入无限(xiàn )活(💇)力的(de )超人气(🌏)导演(yǎn )克里(🔦)斯(sī )托弗•(✴)拉斯康贝（(💡)Christopher Luscombe）携(xié )创作团(tuán )队重返埃文河畔斯特拉福德的(de )皇家(🌃)莎士比(bǐ )亚(🙍)剧团(tuán )，执导(📞)(dǎo )莎翁另一(👪)部滑稽(jī(🚭) )又心酸(suān )的(🧦)单相思爱情(🍙)故事(shì )：
Au Ve siè(❄)cle, la ville d’Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité(🔐), a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté(🦎) et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
黄(🥚)河晋陕大峡(🧜)谷(gǔ(❓) )的壮阔(🧑)(kuò )背(📿)景中，邵(🛒)兵姜(👈)武(wǔ )分饰一(🐟)(yī )对警察大(✊)盗，江(jiāng )湖恩(🚞)怨(yuàn )从20年前(🌪)(qián )计起，又因(😋)故人(rén )之女(👦)再(zài )度重逢(🔄)。当(dāng )年的枪(qiāng )声改变(biàn )了众人的命运，这一次(cì )追捕(😞)像轮回中的(🏋)一场重逢，“有(🤖)生以来，侠路(😹)相(xiàng )逢，终(📆)(zhōng )不能幸免(😻)”。尘(chén )封的秘(🎑)(mì )密被不断(🌷)牵出，往(wǎng )事(🧝)的波澜再次(💸)起伏。巨(jù )石(🐭)壁立(lì )，黄河(🏣)(hé )奔(😞)流，所见(🌪)证的(🏞)(de )罪恶与(😇)(yǔ )惩(🍪)罚、英勇与(⚽)荣誉(yù )，是一(✔)(yī )段荡气回(🏎)肠、感(gǎn )慨(😊)唏嘘(xū )的英(🤾)雄(xióng )故事，也(🕚)是一段(duàn )惊(🌑)心动(dòng )魄的黄河边(biān )的残酷(kù )青春......
VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.
Jay Tanner and his crew have been getting rich off of faking demon hunts and posting them on YOUTUBE. Unfortunately for Jay and his crew this demon hunt turns real.
