导演瑞泽在(🐊)家中(😶)被(🚉)人(rén )残忍杀害(hài )，恰好在(👽)(zài )远(🗃)方目击杀人现场的段爷(🤣)前去(📸)救(🚔)援，却被随后赶到的警察(💪)赵正(🦑)浩当作杀人犯(fàn )，经过初(🧖)(chū )步(🛣)排(⭐)查，警方确定此案应(🏂)属熟(🤣)人作(🚍)案，在被害人瑞泽的社会(⛩)关(🚵)系调查中，赵正浩发现(xià(🙃)n )瑞泽(🍐)于死(🔦)(sǐ )前数日曾(céng )与几(📈)位大(😝)学(🏩)同学在某桌游吧聚会过(🍽)，此次(☝)聚会中竟有自己的妻子(😝)——(📨)法(🌀)医书(shū )萱在场。却正撞上(🛁)(shàng )偷(💣)偷摸摸前来找线索的段(🌥)爷，两(🙇)人(🥦)做起了临时探案搭档。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
阿(💠)呆和(🐊)阿瓜是一对(duì )非常要好(🀄)(hǎo )的(🚙)朋(😌)友，他们觉得凭借自(🛀)己的(🏓)力量(🤜)可以修理一切，有麻烦发(🍨)生(🤪)时，只要开动脑筋，利(lì )用(💯)手边(🌐)的(de )工(⛺)具都可(kě )以搞定。人(🏮)们总(🦇)会(🎙)被他们的“错误”行为逗笑(🍰)，觉得(🚅)他们有点笨，大部分时(shí(🌒) )间会(🈷)把(🎋)事(shì )情搞的更(gèng )糟，但是(🐧)呆瓜(🏉)兄弟总能自己做的事情(📯)中找(🦁)到(🎡)“自己的路”，并对自己努力(🥣)之(zhī(🈺) )后的结果(guǒ )感到满意(yì(🍫) )。因为(🗃)他(🕧)们坚信一句话“伟大的创(💲)造在(📵)最开始的时候也不是完(🤽)美(🥜)的，关键的(de )是开始的(de )勇气(🈳)”。
本片(🎍)撷取(🥁)了发生在中国北方小城(🌸)镇(🗂)中一个中国青年出狱后(🍂)的一(🧥)段人生经历，讲述了一(yī(🧟) )个小(🧑)人(🖕)物(wù )在商品经济的大潮(🤦)中与(💟)时代的隔离，以及人们对(🚗)金钱(💷)的(💉)崇尚和理想、道德的(de )流(👓)失，对(🎡)(duì )社会与人(rén )性作出了(🍙)深度(🔎)拷(📱)问。尤其是本片以中国农(👈)历冬(😈)季的四个节气作为篇章(♈)，具(📍)有(🕉)(yǒu )强烈的中(zhōng )国文化(💘)符(fú(📁) )号视(🍙)觉。
“假如音乐是爱情的食(🐎)粮(⏰)，请继续演奏吧！”以配乐著(🍺)称并(🈲)为莎士(shì )比亚爱情(qíng )喜(🗺)剧《爱(🧠)(à(🌃)i )的徒劳》及《爱的胜利》（即(🧔)《无事(🕧)生非》）注入无限活力的(🤵)超人(🐢)气(🔑)导演克(kè )里斯托弗(fú )•(📏)拉斯(🌍)康(kāng )贝（Christopher Luscombe）携创作团队(➿)重返(🛐)埃(♈)文河畔斯特拉福德的皇(👁)家莎(🔷)士比亚剧团，执导莎翁(wē(🚗)ng )另一(🕗)部滑(huá )稽又心酸(suān )的(🔢)单相(🕦)思爱(🦊)情故事：
在社会主义道(🍖)路(🥠)上，中国公路的发展和人(🍐)民命(➖)运紧密相(xiàng )连的。《大路朝(🈲)天(tiā(🎖)n )》以(🏏)四川公路建设为切口，以(⌛)成雅(🌓)高速、雅西高速、雅康(🈶)高速(👒)建(🤓)设为题材，通过讲述(shù )祖(🦒)孙三(🍕)代(dài )路桥工人伴随改革(👋)开放(🐡)40年(🍲)经历的命运和情感故事(📄)，折射(🗃)出时代发展与变迁。
阿黛(👨)尔和(🥌)(hé )她的母亲(qīn )孔查生(🎰)活在(📛)城郊(🌆)的一个贫民窟里。孔查的(😿)丈(🦐)夫是个可恶的暴徒，他使(😄)母女(🍓)俩(liǎng )长期生活(huó )在暴力(😢)和(hé(💦) )虐(💴)待之中。对此忍无可忍的(🐇)孔查(🚶)决定不顾一切风险，偷走(🗻)一大(🖱)笔(💓)钱，并带着(zhe )女儿阿黛(dài )尔(💖)逃离(🥅)。不幸的是，她们在出逃中(🥞)被发(💎)现(📗)了。在追捕过程中，孔查却(🔆)意外(🌿)地驾车撞死(sǐ )了丈夫…(🦅)…这(🏅)场逃(táo )离注定是一次(⤵)冒险(🍯)，而母(🌀)女俩竭尽全力，才能挣脱(😊)一(😡)直禁锢她们的牢笼。在(zà(😗)i )这段(🧠)跨越(yuè )生命的寓(yù )言中(😻)，力量(🤕)、(😆)困难、爱的希望、机会(🚧)和死(🐸)亡如影随形。
