本片(📪)(piàn )来自新片场(chǎng )创作人(rén )吴晋超,他(tā )担(💽)任这(zhè )部影(🗺)片的导(dǎo )演(😺)、编(biān )剧、(🌌)美术以(yǐ )及剪辑(jí )。出品方为(wéi )BITONE。
《少(shǎo )女的(🅾)奇幻日(rì )记(🌦)之追(zhuī )星计(🛷)划》以(yǐ )演艺(👎)圈(quān )中明星和粉丝间的(de )“相爱相杀”的复(fù(🎡) )杂关系为主(🎾)题,讲(jiǎng )述外(🐛)表颓废但内心(xīn )强大的少女萱萱偶(ǒu )然因一瓶神秘(🍔)的矿(kuàng )泉水(🧥)获(huò )得超能(🕋)力后(hòu )化身田(tián )螺姑娘“隐(yǐn )身跟踪(zōng )““登(🍛)堂入(rù )室“窥(🐰)(kuī )视心中的(🚈)灯(dēng )塔“薛(xuē(🍟) )先森”,却(què )也在危(wēi )机时刻“徒(tú )手斗黑(hē(🚱)i )帮”“心灵(líng )灌(🥈)鸡汤(tāng )”双管(🕖)齐下(xià )最终(🕛)俘(fú )获男神,收(shōu )获真爱(ài ),走上人生巅峰(😆)。梦幻又新奇(🙍)的故事(shì )燃(🕯)爆少女心。
宇宙(zhòu )犯罪者ベムルとその一味を追って(🎩)地(dì )球にや(🏎)ってきた宇(📶)(yǔ )宙の警(jǐng )察と呼ばれるスパンデクサ(🥒)ーの一人(ré(🈯)n )スパンデク(🚖)サーAは、(🥜)ベムルたちに襲われていた地球(qiú )の捜(⚾)査官・目白(✉)を助けるが(🚣)、そのため(🛬)にベムルたちを逃がしてしまう。目白の(🈲)協力のもと(🤦)、地球に残(🍣)ってベムルを倒そうとするスパンデクサーAの前(🌚)に、宇宙の(🔍)犯罪者たち(🔌)がスパンデクサーたちを倒すために作(🎨)った人工生(🐻)(shēng )命体ゾー(💈)ラが現れる(🌔)。スパンデクサーの弱点の物質で作られ(🤢)たゾーラに(🗃)敗北したス(🚄)パンデクサ(😪)ーAは、ゾーラに拉致され壮絶(jué )な拷(🕒)問を受ける(🎻)。そして残虐(🎯)な性格(gé )のゾーラは、目白(bái )を捕らえて、家族(zú(🌷) )に危害を加(💔)えられたく(🙉)なければスパンデクサーAをその手で(📮)殺すように(🍼)命令するの(🙈)だった。
Aji Mathew, a lovable courageous and modest youngster, who hails from Pala. He meets an NRI girl Sara in his college, they fall in love regardless of their upbringing. Their moments of love did endure less, so does his happiness.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web.